Beauty Standards Of Japan In Olden Times

Beauty Standards Of Japan In Olden Times

Linked squarely to Japan’s cultural history, the concepts of beauty evolved over centuries. From aristocratic elegance during the Heian period through dramatic change during the Edo era, Japanese notions of beauty constantly reflected the era in which they existed and would generally disclose influences of sociocultural and religious conditions prevalent at the time. The article focuses on beauty standards that shaped the lives of both Japanese men and women in olden times, pointing out all those intricate rituals and symbolism that defined their aesthetic ideals. Heian Period, 794–1185: The Pinnacle Of Aristocratic Japan Beauty The Heian era is conventionally considered the golden age of Japanese culture, comprising an efflorescence of literature, art, and courtly life in all spheres. In the Heian era, the model of beauty was provided by the aristocracy and more particularly the ladies at court since their outward aspect was to be representative of their status and culture in every respect. Pale Skin And Long Hair:  Pale, blemishless skin and highly valued for showing purity and nobility. Women used white face powder made from rice flour to make their skin look ghostly pale, so unlike any natural skin color. Long, straight hair was another feature of beauty; women grew their hair to incredible lengths, often reaching the floor.    Oshiroi And Hikimayu:  Oshiroi was a white face powder applied to the neck and hands, as well as on the face, to give an ethereal touch to the body. Another distinctive feature was hikimayu, or the shaving and plucking of natural eyebrows to paint on thick black brows high on the forehead. This gave the face a serene, almost doll-like expression-ideal for a woman. Ohaguro And Thin Lips:  Ohaguro or blackening of teeth was done by the aristocratic women and later by the married women in general. A black stain made up of iron filings mixed with vinegar was applied to the teeth. Believed to increase the contrast between black and white and express loyalty in marriage.  The Kamakura And Muromachi Periods: The Beauty Of Simplicity And Elegance There was a lot of time in between the gap between the Kamakura and Muromachi periods, and within that period, Japan saw the rise of the samurai class into prominence. With this came the change in the concepts of beauty. The sense of the aesthetic turned grave and quiet, much like the vibes of the stern disciplines of the warrior class. Natural Beauty: Although pale skin was still considered the most beautiful, it was a movement toward natural beauty. Women began to wear less makeup and revealed their ‘natural’ faces. Extravagantly curled hairstyles of the Heian era gave way to simple ones, many times worn pulled back and out of sight or in a small bun. Kimono And Colors:  Clothing also was important in the expression of the beauty of a woman. A woman’s status, age, and what season it was would be determined by her kimono color and pattern. The sophisticated, soft colors, such as pastel shades and earth tones, were used rather than gaudy colors as in the Heian period.  The Edo Period: Transformation Into the Modern Era, 1603-1868 The Edo period in Japan has been a transformation into the modern era socially and culturally. With the emerging merchant class and the thriving urban hubs such as Edo, which is modern-day Tokyo, ideals of beauty are becoming increasingly diverse and reachable.    The Allure Of The Geisha:  Geikos were accomplished entertainers who were beautiful, graceful, and artistic; thus, they soon became the icons of beauty in the Edo period. Their large hairstyles, complete with the elaborate hairpins and combs, topped by their brightly colored kimonos, became ultra-fashionable.  The Idea Of The Courtesan:  Central to this beauty culture, too, were the oiran, or high-ranking courtesans. Their theatrical appearance was given to grand hairstyles-mostly supported by great wooden combs and multi-layered kimonos with bold patterns. The oiran were the trendsetters, and their looks were emulated by women of all classes.     Changing Concepts Of Beauty:  The subdued grace of the previous age yielded a more vivid and demonstrative form of beauty in the Edo age. Women, therefore, began experimenting with newer and bolder means of makeup-such as red lipstick or Beni and white foundation or shironuri, on occasion.  Conclusion:  Beauty standards in olden Japan were not exactly about the physical but were highly symbolic, as they brought out the values, social structures, and cultural practices of those times. From the serene surreal beauty of Heian court beauties to bold and expressive styles, the standards of Edo have left an indelible mark on Japanese culture. It is interesting to note that certain features of those ancient practices show up in current Japanese aesthetics as a residual from a timeless past.  

Read More
 Heeramandi –  A Hidden Chapter in British Raj History

Heeramandi – A Hidden Chapter in British Raj History

Heeramandi is the name that we are all hearing on the internet. Thanks to the director of grandeur, Sanjay Leela Bhansali, the name has been uncovered after many, many years. The series Heeramandi will air on Netflix from May 1st. It is a period-based series based on the real situation that occurred during the time of British Raj. It has been a misconception that Heeramandi was always the red-light area, which was known to be the central area of Lahore (then placed in ancient India under the British Raj). According to the documented history, Heeramandi bears Hira Singh’s name, the prime minister of the Sikh Kingdom of Lahore. After the invasion of Ahmed Shah Abdali, many captured women were dumped in the areas as prostitutes. The area gradually changed from being a grain market to something else. Hidden Story of Heeramandi Now the question arises: why is this place away from the history notes or any mentions in of the Indian factual documents? Heeramandi was the name used all across the nation before and during the British Raj in India. The area, which was once known as Heeramandi, is among the most well-liked parts of Pakistan’s walled city of Lahore. The region gained notoriety in the 15th and 16th centuries as a major grain market and as the centre of undivided India’s tawaif (courtesan) culture. Tawaifs were never prostitutes; rather, they were the epitomes of learned music and dance forms and they were very well educated as well. Tawaifs were the only sect of women who were allowed to walk among the major leagues of men and were very powerful politically and economically. The most amazing part was that the women of Heeramandi played a major role in supporting the freedom fighters during the struggle for independence against the British Raj. Women from Uzbekistan and Afghanistan were “introduced” to the region during the Mughal era, and courtesans were connected to dancing, singing, and other forms of culture. Later, the area became a centre of culture when ladies from the Indian subcontinent began travelling here to perform Kathak for the Mughals. Known by many as Shahi Mohalla or the Royal neighbourhood, the area was originally developed as a residential area for royal court attendants due to its proximity to the Lahore fort. However, courtesans quickly moved in. Heeramandi appears like any other ordinary marketplace during the day, offering food, juttis, musical instruments, etc., but at night it transforms into something entirely different. The women captured by the troops of Abdali were from surrounding regions and they were put up in Heeramandi. The area of Heeramandi became the major business area, and Heeramandi saw a further rampant rise during the British Raj. The unfortunate aspect of the Mughal era’s downfall was that foreign invasions ruined the imperial palace’s courtesan house. Prostitution increased as a result of this.  But when the partition was announced and the then-India was divided into two countries—India and Pakistan—Heeramandi was set to be one of the worst-affected regions. Women staying in the brothels in the region fled to India before the lines separating the countries were drawn, and the ones who stayed were exploited under the guise of the unrest in both regions. Heeramandi Series filled with diamonds of industry: The series Heeramandi is a star-studded venture. Manisha Koirala, Sonakshi Sinha, Aditi Rao Hydari, Richa Chaddha, Sanjeeda Sheikh, and Sharmin Segal feature in Heeramandi: The Diamond Bazaar. According to the official series summary, “A young heir caught in the crosshairs of a power battle in Heeramandi chooses love over succession, upending the status quo.” The last link preserving the art of tawaifs (courtesans) is tested in pre-independence India against a developing liberation movement. The 14-year filmmaker’s passion project, Heeramandi: The Diamond Bazaar, is hailed as an epic tale of love, power, retribution, and freedom. produced by Prerna Singh and Sanjay Leela Bhansali, with Moin Beg credited with the idea

Read More